He is an independent curator, art critic and also concurrently work as a researcher in the Institue of Sociology of Sichuan Academy of Fine Arts. Now live and work in Beijing.


He served concurrently as the art director in the He Xiangning Art Museum from 2007-2017 and won the “Annual Curator” for the 12th ACC Art China in 2018.


Since the late 1980s, Feng has devoted himself to curating, commenting, and editing contemporary Chinese art, paying attention to the marginal, alternative artists and groups, as well as the living state and artistic creation of the younger generation of artists, focusing on experimental and critical contemporary art. He has written, and contributed to numerous articles, theses and essays. He has curated many important exhibitions in China and abroad. including “Traces of Existence: 1998 Chinese Contemporary Art Study Exhibition ”(Beijing), “Fuck Off 1 and Fuck Off 2”(Shanghai; Groninger Museum, Netherlands), “Reinterpretation: The First Guangzhou Triennial” (Guangdong Museum of Art), “Right Hand, Left Hand: A Sino-German Exhibition of Contemporary Art” (798 Art District, Beijing), “A Vista of Perspectives: The Sixth Shenzhen Contemporary Sculpture Exhibition” (OCT Contemporary Art Terminal, Shenzhen), “Surreptitious Substitutions: Post-Modern Methods in Chinese Contemporary Art” (OCAT Art and Design Gallery), “The Fourth Cross-Strait Four-Regions Artistic Exchange Project” (He Xiangning Art Museum; Taipei Fine Arts Museum; Osage Gallery Kwan Tong; and Macau Museum of Art), “CAFAM Future: Sub-Phenomena - Report on the State of Young Chinese Art” (CAFA Art Museum, Beijing), “A New Dynasty - Created in China”(ARoS Aarhus Art Museum, Denmark), “Utopias/Heterotopia—Wuzhen International Contemporary Art Exhibition (Wuzhen, China) and “Xu Bing: Thought and Method”(UCCA, Beijing)

Feng Boyi is one of the most active independent curators and critics in China.