Graduated from the School of Chinese Painting of the Central Academy of Fine Arts in 2022 with a bachelor's degree

2025 Graduated from the School of Chinese Painting of the Central Academy of Fine Arts with a master's degree

Now studying for a master's degree in the School of Chinese Painting of the Central Academy of Fine Arts

GROUP EXHIBITION

In 2025

 Jingsheng Taoyuan: The Imagination of Travelling Through Nature, Nanchang High-tech Zone Art Museum, Nanchang，China;

the back wave of contemporary ink, "37.8 small and not full", Jiangsu Modern Art Museum, Nanjing,China;

In 2024

the back wave of contemporary ink, Nantong Art Museum, Nantong,China;

the "Arab-China Art Community" celebrates the 40th anniversary of the establishment of diplomatic relations between the United Arab Emirates and China, the exhibition of Young Artists' Creative Research Competition, Overseas Chinese Welfare Contemporary Art Museum, Beijing,China;

"Self-adapted" 2024 Chongqing Contemporary Small Works Collection Promotion Plan, Jinshan Yiku ADC Art Design Centre, Chongqing,China;

Beijing Youth Art Biennial, Today's Art Museum, Beijing,China;

FutureLab "Ambition! Student Works Exhibition", West Bank Art Centre N Hall, Shanghai,China;

the group exhibition "Hourglass" The first exhibition of postgraduate teaching achievements of the Chinese Academy of Painting, Ink Laboratory of the Central Academy of Fine Arts, Beijing,China;

Chunhua Qiushi "Thinking Ancient · Seeking New" Art Exhibition, Shuxintang · Life Space, Shenzhen,China;

In 2023

"37.8-Xiaomanwei" Yifan sets sail 2023: New Generation Ink Artist Invitation Exhibition, Jiangsu Modern Art Museum, Nanjing,China;

2023 · Chunhua Qiushi "Hidden in Si" Art Exhibition, Shuxintang · Life Space, Shenzhen,China;

In 2022

"37.8- Less than a small man": an ink answer sheet from 2022 fresh graduates, Wangfu Central No. 19, Beijing,China;

the fifth "Graduation Song" exhibition, Fangyuan Art Museum, Beijing,China;

The Gedankending series of works, the name comes from the German word "Gedankending", which is Kant's term for "things created by the heart". It aims to reflect on the subtle relationship between images and words, works and names, phenomena and ideas. The creation of this series precedes the naming, and there is no mutual interpretation between the image content and the text name. The image is born at the end of the pen and presented on the paper. It is a record of a different period of time. The image comes from visual experience, and they carry feelings of different densities.