1990 Born in Dunhua, Jilin Province

2017 Graduated from the School of Visual Arts of the University of Oklahoma with a master’s degree

Currently works and lives in Ukraine

GROUP EXHIBITION

2019           

2019 Art Nova 100, Guardian Art Center, Beijing, China

“Way of Seeing”, online exhibition hosted by “THEMPI”, China

Singularity Art Festival, KONG LAB, Chengdu, China

Shangyuan Residency Program Opening Exhibition, Shangyuan Art Museum, Beijing, China

“Last Forever” Exhibition, the first May Fourth Art Season, Huisheng Art Museum, Shanghai, China (Selected)

2017

103rd Annual School of Visual Arts Student Exhibition (Juror’s Choice Award), Mainsite contemporary art museum, Norman, USA

2016

Firebird from the Ballets Exhibition, University of Oklahoma Art Library, Norman, USA

It's Liquid Experimental Video and Performance Art Festival, Rome, Italy (Selected)

Erratic Fieldwork: Doing Art and Art History in the Anthropocene, Fred Jones Jr. Museum of Art, Norman,USA

Inspired by The Simpsons and Bojack Horseman, “A Comic Book of America” is a series of illustration drawn on the iPad. The series is created with reference to the artist’s daily iPhone photographs, recreating moments of the artist’s encounters in the artist’s cross-cultural, American-based life.“A Comic Book of America” resembles the simple expression in colors and figures from The Simpsons and Bojack Horseman; through which, the artist shows his appreciation of how social issues, adventurous experiences, and humanity are well mixed in existence through vivid and fun storytellings. Different from The Simpsons and Bojack Horseman, the elements in the illustration in “A Comic Book of America,” either in detail or in chunk, originated from different photographs taken in real life. The elements of colors, figures, and scenes, drawn from different photographs of moments of encounters in life, are layered elaborately into single illustrations. By doing this, the artist enlarges small pieces of his personal experiences with a telescope and presents them to a universal audience, in the hope of initiating the viewers and facilitating conversations with them, and among themselves, as they experience culture and life encounters.