1983 Born in Qingdao, Shandong Province

2008 Graduated from the Sculpture Department of Central Academy of Fine Arts with a bachelor´s degree

Currently works and lives in Beijing

SOLO EXHIBITION

2013

Summer-- MengHao Solo Exhibition, XuFeng Art Gallery, Qingdao, China

2010

A Fable of the Antlers—MengHao Solo Exhibition, Morandi’s drawer Gallery, Beijing, China

GROUP EXHIBITION

2019

2019 Art Nova 100，Guardian Art Centre，Beijing，China

2018

2018 Art Nova 100,Guardian Art Center, Beijing, China

Boundary Of Object, CAFA Ceramic Art Avenue Art Gallery, Jingdezhen, China

2014

"Wings", Xu Feng Art Gallery, Qingdao, China

 “0 Elevation”, G1 Gallery, Shanghai, China

2010

The joint exhibition between the two is “Life is like a summer flower”, Morandi’s drawer Gallery, Beijing, China

2008

Fables, Long Yibang, Beijing, China

 An elm tree grows in the yard of my studio. When I moved in, it was just a trunk; nevertheless, it sprouts in spring. Two or three years later, it's growing crazily, and were so leafy that I could get no glimpse of the sky. So these branches need to be pruned every spring.

These lives stay close to me, accompanying me every day. I see the elm leaves sprouting in spring and falling in autumn; its branches are flexible and can curl, and its trunk is getting thicker and thicker. Its plasticity and its branching structure all seems inexhaustible. Where else can I find such a good sculpture material?

I tried to use it once or twice, and then ideas grew stronger and stronger, so I set about making plans, sketching and measuring. Suddenly, the landlord knocked at the door, saying that the tree was affecting the safety of the building, and even uprooted it. I watched the rest of the material, gritted my teeth, moved it back into the house and redesigned it to make them into cavities. Let it grow from outside to inside - the end of growth, the inversion of a certain space-time. It seems to be concrete, but also freehand. It's dead, but it seems to have lived in some strange way.